Townsend acknowledges in History’s Babel that these silences
within history exist. However, he does not actively engage with these silences
with the intensity that Trouillot displays in Silencing the Past, nor in any of the details surrounding his
narrative of the AHA and professionalization of history as a discipline within
the social sciences.
Trouillot’s Silencing
the Past is accomplishes this engaging investigation into silences because
of how he examines the production of historical narratives by working in an
opposite direction from that of most historians and even from that of other disciplines
in the humanities. From my understanding in this book, a majority of historians
start with what information they know and gathered building their historical
narrative from there. His argument throughout the book is rooted in achieving
contexts in which to fully examine history.
In order to even attempt to accomplish this, Trouillot looks
into the silences that he finds present within historical narratives in an
attempt to demonstrate how power is something that subtley functions within
history. He demonstrates this by recognizing his own location within his
research and his own power to shape the narrative while providing a
reexamination of the events that took place in Haiti at the turn of the 19th
century. He focuses on the silences beneath the history of the revolution by
examining the three faces of Sans Souci. In doing this, he highlights the
tensions within the revolution and its complexities such as the fact the
revolution did not revolve around the singular struggle between slave and
French Master. Trouillet then tracks the many different trajectories that stem
around this particular revolution, as well as bringing to light the silences
surrounding the revolution at the hands of notable historians.
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