Based on Scandal at
Bizarre and Magnusson’s description that Kendra and Lee Ann posted, I think
of microhistory as a peephole into a small room of history. I would contrast
this with “macro history”—what I would call what Bloch and Braudel attempt to
construct—is more of a window into a small room of history. Both are only limited views, and the
size of the room is the same, it’s just the aperture that differs. Kiernan’s book is a good example of
micro history because at first blush, the book is “about” the Randolph family
and its scandal. At the same time,
though, the book is “about” much more than that, especially cultural
prescription, social reality, economics, changing family dynamics, honor, race,
class and social order, legal culture, and gender. Kierner looks at themes that other historians would look at,
but instead of starting with the theme and working back to individuals, Kierner
starts with individuals and works outward.
In examining all of these categories, Kierner seems to be answering
the “great historical question” of trying to pinpoint moments and indicators of
social change. She seems less
interested in the causes or drivers of change, but gives a lot of attention to
the power of individuals to resist social or cultural restrictions. This theme of contrasting cultural
prescription and social reality plays out in several aspects of Kierner’s
history. For example, Kierner’s examination
of how premarital pregnancy rates were rising in spite of moral prescriptions
against premarital sex; how financial debt and instability characterized the
reality of landed families; how slaves influenced the scandal and used it to
attack Harrison (their master’s) paternalism; and how Nancy was able to
overcome the scandal and in many ways become the most successful of those
involved in the scandal.
I can't help but read your post with great irony given Patrick Henry's quote in this book, 'which eye did you peep with?' p.58. Well done! :)
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